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I Move In Decades
2011
video
A mixed reality, telematic video installation, which was performed in Hong Kong and Canada, it reflects on the 10th anniversary of 9/11. Visuals, movement and sound are combined into hybridized data and sent over a high high speed telematic research
In The Belly Of The Invisible Beast
2012
video
In this multimedia, telematic performance, data from playing a Tibetan singing bowl filled with milk was transformed into sound and images. The imagery then projected onto a screen are abstract digital graphics, which are originally images of
Here and There
2011
video
A telematic performance where the movements of a sensor glove control video, which is reacting to sound from a remote location. The sound is reacting back to the video.
Nuclear Sweet
2011
video
A telematic performance with dance, motion tracking, sonic references and video disturbances examining the effects of nuclear radiation.
Indiana Intermedia Festival Performance
2010
video
A telematic mixed reality live-time performance between two places. A dancer performs in Canada, her movements are shown on two screens in Indiana, where musicians play in reaction to her movements. The combined visual and sound recordings trigger
css poetry declaration
2018
-
2018
...css poetry declaration
Art
ist: Francesco AprileComment:
CRISPR-Cas9: A Ray of Light
2017
... Sandor and her collaborators, working at the intersection of
art
and science, significantly contribute to the communication of...
VR Tour Through the Doomsday Clock
2018
...The piece, being a p
art
of the show “It’s Two Minutes to Midnight,” provides viewers with an educational journey on humankind’s history of de-...
Have a Nice Day II
2017
... Day' produced in 2002 by Ellen Sandor in collaboration with M
art
yl Langsdorf’ the author of Doomsday Clock, originally designed for...
CRISPR-Cas9 (A Ray of Light)2
2018
CRISPR-Cas9 is contrasted with Nude in box-reclining (1962) and Sand Dune Nude (1967) by Ruth Bernhard and Dix Rayogrammes de Man Ray et un Texte de Pierre Bost by Man Ray (1931).
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