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Azimuth 77
2006
-
2006
video
Sebastián Sánchez Zelada and Marcello Mercado Azimuth 77, 2006, Performance, 21 min. 26 sec., stereo 4:3 colour http://vimeo.com/59615529 This video is about a serie of performances that relates specific points in the tracking of Iridium-mobile
transferring, storing, sharing and hybriding: The perfect humus
2010
-
2010
video
Marcello Mercado transferring, storing, sharing and hybriding: The perfect humus, 2010 Hybrid-DNA-Performance-Bio-installation, 16'23", stereo 4:3 color http://vimeo.com/37691031 Information culled from digital archives, the human genome, satellite
Human Genome re-Activation
2011
-
2011
video
... on-line live Perfromance by Marcello Mercado Performing
Art
s Low Lives 3 International Festival of Live Networked Performances...
Haptic Field
2016
video
... the presence of others at a distance? Haptic Field is a p
art
icipatory multi-sensory installation merging contemporary fashion,...
What Are You Thinking?
2017
...This image represent the emotional secret of the
art
works creation. All that you think can be used on your digital sheet only after a meditation...
Young Dancer aged 14;3
2014
-
2017
...Young Dancer aged 14;3
Art
ist: Sophie HedderwickComment:
Sleeper
2017
-
2017
... the design but also the fabric itself, were in high demand p
art
icularly thanks to their portability: they could be easily rolled...
AL GRANO: Framing Worlds
2015
-
2015
AL GRANO: Framing Worlds deploys a staging of fact and ction where various registers of images, texts and objects, coexist. These digitally produced 2D and 3D pieces have as common element the manipulation of languages, histories and codes (the
AL GRANO: Formas de pensar mundos
2014
-
2014
A seed of transgenic corn represents an explosive capsule that on the one hand has the capacity to divide communities and Nations, and on the other hand the ensuing debates have caused movements of conservation and care of ecosystems, the
make-A-move
2015
-
2015
... portraits - a female and a male subject photographed by the
art
ist - react to the movements of passersby. Badani invests the work...
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