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Escape Velocity
2016
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2016
Escape VelocityArtist: Julius von BismarckComment:
Figment
2016
Figment offers an experience of the digital sublime, which overlaps with our perception of the digital, landscape, our relationship with each, and the fundamental questions that follow, peering into the nature of our existence. In Figment, rendered
Pro
2015
Pro is a video installation that reveals the simulated virtual environments within the structure of 2 curved while walls. Relating to the vertical framing motif of Chinese traditional landscape painting, Pro invites the viewer into a familiar but
number 418 My response: attempting to achieve perfection through imperfection. inspired by David Rufo
2016
number 418 My response: attempting to achieve perfection through imperfection. inspired by David RufoArtist: Sally SheinmanComment:
Differenza ed estetica digitale: il glitch
2016
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2016
Differenza ed estetica digitale: il glitchArtist: Francesco AprileComment:
Approximately 3 Dimensions
2016
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2016
To make a hole, three dimensions are necessary. In the two-dimensions of the iconic thought experiment Flatland, organisms that sustain their existence through a digestive system characterized by two holes, would find themselves split in two along
Glitch
2016
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2016
GlitchArtist: Francesco AprileComment:
Computer poems. Dall’archeologia al source code poetry
2016
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2016
Computer poems. Dall’archeologia al source code poetryArtist: Francesco AprileComment:
Asemic-glitch writing
2016
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2016
Asemic-glitch writingArtist: Francesco AprileComment:
Asemic cinema/Asemic conference (subtitled)
2016
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2016
Asemic cinema/Asemic conference (subtitled)Artist: Francesco AprileComment:
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