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Sections of Nothing-Nothing
1997
-
2017
...http://www1.khm.de/~marcello/html/Net-
Art
/A.html Objects / In A Network Of Tangled-Up / Porous Graduation-System / Every Fragment / Lighted Up...
transferring, storing, sharing, and hybriding: Text_version
2011
-
2016
video
transferring, storing, sharing, and hybriding: Text_version, 2011 The digital-information-storage inheritance of generations and nations: I have considered all the possible scenarios of events as large databases and reality as a process of
GLITCHES_DIARIES of PURE_DESKTOP
2011
-
2017
GLITCHES_DIARIES of PURE_DESKTOP The installation explore the visual representation of data: I was capturing screenshots of my desktop´s activities during 6 months. The obtained images were manipulated with algorithms and recaptured in order to
Supermassive
1999
-
2017
video
Real time manipulation in virtual spaces.
Live streamings from Dolmens
2011
-
2017
video
... stereo 16:9 black/white/colour DNA-performance-installation- sound
art
(LIVE) 19/06/11 14:17 PM Dolmen2: 54° 44´23.99" N 11° 47´23.36" E...
CAPITAL -> Case: Files deleted
1999
-
2017
video
Marcello Mercado CAPITAL -> Case: Files deleted (Das Kapital -> Fall Dateien gelöscht), 1-channel video installation, 03 min. 05 sec., stereo 4:3 colour, 1999 http://vimeo.com/73331069
How does the Inconsistent work, practically?
2005
-
2007
...Net.
Art
http://www1.khm.de/~marcello/html/Net-
Art
/m3.htm "How does the Inconsistent work, practically?" 6497641 acaatgttta atgcactttt aaagccacat...
Mutter or On Formally Undecidable Propositions of Principia Mathematical And Related Systems by Gödel revisited
2000
-
2001
... And Related Systems by Gödel revisited Genetic Digital C
art
oon, 42 chapters 2000 http://www1.khm.de/~marcello/html/mutter.html
Computer
Art
1992
-
1995
...Computer
Art
Art
ist: Steve SherrellComment:
38% und Simulationen (38% and simulations)
2000
-
2000
video
...Marcello Mercado 38% und Simulationen, 1999 Video
art
, 4' 39", stereo 4:3 colour https://vimeo.com/59615939 Music by Marcello Mercado Edited by...
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