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laser etched print; Dimensions25 × 28 3/4 in. (63.5 × 73 cm)

SEED /TREE (2005) Installation/Butoh Performance/Live Electronics This project was created during an “artist in residence” program at the ZKM (Centre for Media Art in Karlsruhe, Germany). Feelings, associations, mental images and spontaneous

“Zero City” is a number of elevator shafts of different length. Their spatial structure resembles a city where the role of each building is to move in a vertical direction. All the elevators are programmed the same way and act as a pack carrying out

S_traitsArtist: Bill SeamanComment:

Installation and storage/sculpting system that collects the creation of digital files in real time. The system is prepared for the rendering of 3D scenes that are collected in a series of marble sculptures with a USB memory inside.

The installation consists of the following 2 parts: – a software program which analyzes texts of two periods (1900-1917 and 2000-2017) in order to calculate the index of their transcendence; – a robotic device which cooks 2 borschts (borscht is a

Celeste embodies the idea of the digital unification of different skies in different locations around the world. Through a beacon equipped with the necessary material to capture the image of the sky in real time, the system extracts the colours

Conceived as a sculpture/interface that obtains biometric color and sound data from the environment. The work is activated with a noise level higher than the one configured to start making a visual sweep that is altered by the sound wave. With this

Kinetic sculpture that represents in real time the transfer of files from a database of moving bodies. Files of type BVH (biovision hierarchical files) are transferred between servers in the northern and southern hemispheres coinciding with the

acryl, pastel and marker on paperdim: 68 x 88 cm (each), series (6) Reminiscent of clouds of interstellar dust and ionized gases, this series of drawings is technically based on abstract templates derived from microscopic recordings. Thus, the