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CURATORIAL STATEMENT:Many of the prominent international practitioners in the field of software art could not participate in the first version of CODeDOC since the Whitney Museum is, by its mission, devoted to American artists (citizens and artists

All kinds of people are using their smartphones. The displays don’t show any apps – only the sensual movements of the hands. Each pair of hands plays both roles from Michelangelo’s “Creation of Adam” at the Sistine Chapel: God the father and Adam,

Under the SurfaceArtist: Eleanor Gates-StuartComment:

CON-TEMPO-RARY-LANDSCAPEArtist: David OppenheimComment:

How to view and operate the analytical grid and its several elementsENTER PROJECT HERE:The links will redirect you to the original artworks on the Whitney Museum's Artport (for CODeDOC) or the digitalartarchive.at (for CODeDOC II). Please check

...Escape VelocityArtist: Julius von...

To make a hole, three dimensions are necessary. In the two-dimensions of the iconic thought experiment Flatland, organisms that sustain their existence through a digestive system characterized by two holes, would find themselves split in two along

Pro is a video installation that reveals the simulated virtual environments within the structure of 2 curved while walls. Relating to the vertical framing motif of Chinese traditional landscape painting, Pro invites the viewer into a familiar but

number 418 My response: attempting to achieve perfection through imperfection. inspired by David RufoArtist: Sally SheinmanComment:

Differenza ed estetica digitale: il glitchArtist: Francesco AprileComment: