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  • On a large white platform, the artist has arranged the typical Christmas scenario of his parents’ home: the family members, furniture and carpet from the living room, Christmas decorations, presents, and letters from family members. The annual
  • In a public exhibition space (Art Basel Unlimited), von Bismarck spent a week on a paraboloid-shaped cement disc, which rotated around its own axis at a speed of fifteen revolutions per minute. He slept, ate, read, and talked on the telephone while
  • Boulder I
    Boulder I is a rock that sits upright on a cushion. Walking around the object, the viewer notices that the object had a hole on one side and is actually hollow. On display is therefore not a stone but a stone surface. Given that the eye can only
  • Landscape Painting shows painted landscapes—a desert scene with cacti and rocks and a jungle scenario. The artist traveled to two locations in Mexico, where he selected an appropriate segment of land and organized a team of local helpers. He paid
  • This film shows a monochrome landscape beneath a strip of sky. At first barely perceptible, a subtle movement is noted throughout the peaked contours of the waves—an organic contraction and expansion of a mountain-like skin. It is with the congealed
  • An old wooden boat is suspended from a metal frame like a swing, moving forward and backward in an unnaturally slow and almost imperceptible motion. The boat neither assumes the bouncing rhythm of a wave, nor the smooth alter- nation of a pendulum,
  • Clockwork -
    Twelve concrete mixers are arranged in a circle in the center of a large rectangular space. They form an “erosion machine” designed to accelerate the decay of Vienna. The mixing drums are filled with architectural debris taken from various buildings
  • In separate installations of the History Apparatus, the artist planted in each location a stump from a tree that had lived over a hundred years: on the central square of Neumarkt in the town of Arnsberg and on the terrace of the Neue Nationalgalerie
  • ... and sometimes weightless perambulation, in search of reality within constructions – on the...
  • ... audience witnesses a perambulation on the search for reality degree of constructions. It...