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Syracuse Tree
2013
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2013
In this piece, while observing the effects of new technology, Olga Kisseleva has singled out the conditioning of behaviour at the heart of complex systems on the local as well as the global scale. Her interventions, which are strictly related to
Time Value
2012
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2014
With this work Olga Kisseleva offers a perspective on current developments and cost saving in industrial business. Eight interactive electronic clocks are connected in real time on the "n-value" servers from different countries of the world. The
Tweet Time
2014
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2014
In a world in which everything is accelerating, taking time out to reconsider one's daily habits, reclaim one's own choice of rhythm, and be aware of our limits, seems ever more vital. With Tweet Time, which was produced in collaboration with
Extraterrestrial X14
2022
Extraterrestrial X14Artist: Steve SherrellComment:
Rupture, the passion market: why love is not fashionable (1998), Mix media interactive installation: 2 digital paintings and 1 neon, 12 postcards and an interactive CD-ROM
1998
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1998
Rupture, the passion market: why love is not fashionable (1998), Mix media interactive installation: 2 digital paintings and 1 neon, 12 postcards and an interactive CD-ROMArtist: Patrícia GouveiaComment:
See No Evil
2021
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2021
SEE NO EVIL is a drawing and text work in the form of a diary. Through a randomizing algorithm, the artist’s fictitious autobiographical text is masked by her original pencil drawings. Twenty-one of these drawings trigger augmented reality
The Sentient Thespian
2018
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2019
Sentient Thesbian is a theatrical movie about 2 robots.
Between Poets: ZDB gallery (Lisbon) commission web project
2000
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2000
Between Poets: ZDB gallery (Lisbon) commission web projectArtist: Patrícia GouveiaComment:
Jizo (2001): Interact magazine commission web project
2001
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2001
Jizo (2001): Interact magazine commission web projectArtist: Patrícia GouveiaComment:
Soong Sisters: MEIAC Museum (Spain) virtual gallery
2001
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2001
Soong Sisters: MEIAC Museum (Spain) virtual galleryArtist: Patrícia GouveiaComment:
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