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Dimensionalization Studies
1994
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1998
Dimensionalization Studies began as an informal collaboration between computer vision researchers and those of us building the stereoscopic camera rig for the See Banff Kinetoscope project, at Interval Research in 1993. The computer vision
Time-accelerated Painting
Time-accelerated PaintingArtist: Jaron LanierComment:
TRIAD HyperDance
1998
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1999
TRIAD HyperDance is an interactive art work on the net, containing a dance work as hypervideo and an interactive choreography. The work can be seen at the url address http://triad.kiasma.fng.fi and at the http://ctheory.concordia.ca. The TRIAD
The Living Web
2002
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2002
video
This CAVE-based interactive and immersive installation explores the potential of the world-wide web as interactive and immersice data and information medium. Today information on the Internet is presented in a standard fashion, as defined by the
The Telegarden
1995
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1996
The TeleGarden is an art installation that allows web users to view and interact with a remote garden filled with living plants. Members can plant, water, and monitor the progress of seedlings via the tender movements of an industrial robot arm.
Ouija
2000
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2000
Ken Goldberg is one of the pioneers of telematic works, and "Ouija 2000" is not only a playful stab at the idea of global mind through the nostalgia of a Ouija board, it introduces important elements of real-time collaboration. "Ouija 2000"
Dislocation of Intimacy
1998
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1998
Dislocation of Intimacy is a net-based installation by Ken Goldberg and Bob Farzin that explores the delicate relationship between the immediate and the mediated. The installation includes a sealed black steel box in our studio that is accessible
Legal Tender
1996
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1997
Legal Tender (1996) was the first Internet telerobotic laboratory. Visitors to www.counterfeit.org were presented with a pair of US$100 bills, one real the other counterfeit. Users could perform experiments on the bills by registering with an
The Mercury Project
1994
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1995
video
Mercury Project combined robotics and archaeology in an interactive art installation. To our knowledge, the Mercury Project was the first system that allowed WWW users to remotely view and alter the real world via tele-robotics. Users excavated
Mori
1999
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1999
In Mori, the immediacy of the telematic embrace between earth and visitor questions the authenticity of mediated experience in the context of chance, human fragility, and geological endurance. Mori engages the earth as a living medium. Minute
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