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Year Zero- Exhibition Concept Open Call 2121 for works to a future audience in hundred years. Text, Video, Networked Performance © Lila Moore, All Rights Reserved In year zero of the Corona pandemic, I called upon Seeker_of_True-files, my

The interconnection between the musical and the visual work is particularly based on a constant exercise of deconstruction, where the human being and his body emerge as a matter of invention and of “decomposition” in many expression and in a

AUDIOVISUAL POEM is a quadrophonic electroacoustic composition which has a fixed structure, but for which nevertheless some events can be changed in real-time, allowing for diverse possibilities through the performance. This changes are not casual

Reactive light environment Public indoor swimming pool, Dornbirn (A), competition 2005- present [English title, loud and quiet] 'LAUTUNDLEISE' was conceived for the newly-built indoor pool in Dornbirn. The interactive light environment dynamizes the

In 1986 Kac worked with radio-controlled telerobotics in the context of the exhibition "Brasil High Tech", realized at the Centro Empresarial Rio, in Rio de Janeiro. Kac used a 7-feet tall anthropomorphic robot (left) as a host who conversed with

Fax transmitted from Chicago to: - "City Portraits: The Suburbs", fax exchange with group Art Reseaux, École Municipale D'Arts Plastiques, Rosny Sous Bois, France, 1990 - "The Globe Show", fax exchange with British artists, Oldham Art Gallery,

Fax transmited from Chicago to: - "City Portraits: The Suburbs", fax exchange with group Art Reseaux, École Municipale D'Arts Plastiques, Rosny Sous Bois, France, 1990 - "The Globe Show", fax exchange with British artists, Oldham Art Gallery,

Fax transmited from Chicago to: - "City Portraits: The Suburbs", fax exchange with group Art Reseaux, École Municipale D'Arts Plastiques, Rosny Sous Bois, France, 1990 - "The Globe Show", fax exchange with British artists, Oldham Art Gallery,

Transmitted to Museo Internacional de Electrografia, Cuenca, Spain, 1993, and exhibited in Muestra Internacional de Fax Art, Facultad de Bellas Artes, Cuenca, Spain, 1993.

"Não!" is organized in text blocks which circulate in virtual space at equal intervals, leaving the screen blank prior to the flow of the next text block. The visual rhythm thus created alternates between appearance and disappearance of the