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Arguendo
2013
Arguendo re-enacts the 1991 Supreme Court Case Barnes v. Glen Theatre, initiated by a group of go-go dancers against an Indiana law banning public nudity. Electronically mediated with references to relevant court cases and the First Amendment, the
Agent
2008
Agent captures people as a temporal trace. If a viewer remains stationary in the space before the screen they progressively become more solid and corporeal in their appearance. If they move they transform into a will'o'wisp like ghost or sprite,
Blowup
2008
Blowup is an interactive performance environment, designed for choreographed performances and public interaction. The work consists of a large video projection in which video imagery of the performers/viewers is manipulated in real-time. The
reRead
2009
reReadArtist: Simon BiggsComment:
Utter
2009
a voice recognition and generative grammar interactive installation and performance artwork Source: Simon Biggs
Oracle
2009
a voice recognition and interpretive grammar interactive performance artwork Source: Simon Biggs
Polymorph
2013
Polymorph is an interactive immersive environment for two or more interactors. A single structurally complex three dimensional agent is created through the presence and interaction of two or more interactors within the environment. Source: Simon
Continuum
2007
Continuum is a mirror that "captures" anything that moves before it. Anything that does not move is not reflected but is lost in the inky blackness of the background of the screen image. Continuum is a "mirror" that "reflects" things as both a
Glitch Traces
2013
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2014
Images collaged from screengrabs taken during the development of the 'Crosstalk' project in 2013-14. Source: Simon Biggs
Punishment 1
2011
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2012
The landscape imagery in the photographs and videos of the Punishment series recall the paintings of the Romantic period: craggy mountains, deep gorges, the sea, and mountain lakes. These are large- format, classical motifs of nature, in which one
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