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Airground
1968
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1968
The Airgrounds were a new genre of air structures comprising soft, responsive architectures the public could interact with. At the Brighton Festival a pyramid-shaped inflatable with a transparent outer skin and yellow inner skin, partially inflated
Continuous Sound and Image Moments
1966
-
1966
video
Continuous Sound and Image Moments is a hand-drawn black-and-white animated film loop with no beginning or end. Conceived as a cinematic expansion of pictorial means, the process of making thousands of drawings (rather than any individual picture)
The Dante Cupboard
1966
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1966
This mixed-media sculpture extended over the gallery floor so that the viewers had to walk over it.
Disillusionary Homage to Clovis Trouille
1966
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1966
...Sli
des
of Clovis Trouille's paintings were...
Emergences of Continuous Forms
1966
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1966
Emergences of Continuous Forms was one of a series of performances and installations in this period which explored various methods of extending the cinematic image into the space of the viewers and of provoking the viewer's physical
Disillusion of a Fish Pond
1967
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1967
Disillusion of a Fish Pond was one of three performances during the exhibition This is no Thing - This is a Situation of Opportunity at the Kingly Street Gallery in London. In this work a naked woman swathed in bandages of cotton-wool was sitting at
Glove Screen
1967
-
1967
This work was one of three performances during the exhibition This is no Thing - This is a Situation of Opportunity at the Kingly Street Gallery in London. Viewers could interactively control the inflation and deflation of transculent white surgical
Disillusion of Striptease Films
1967
-
1967
Striptease films were projected onto a woman doing a striptease. She struggled to remove her clothes while tightly encapsulated inside an inflatable balloon-costume. When she was naked a masked figure inserted the nozzle of a fire extinguisher and
Corpocinema
1967
-
1967
... film and sli
des
were projected from...
Book Plumbing
1967
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1967
This was a mixed-media installation using books in various ways, a material which John Latham was using extensively in his artistic practise at this time. One of the centerpieces was a performance using a Penguin bookcase in which all the books were
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