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...he movements of the visitors. (source: www.transmediale.de) ------------------------------------ Video: OFFICIAL WEBサイト → http://doc.ycam.jp/ 山口情報芸術センター http://www.ycam.jp

... access, monitor, and control a dynamic representation of the building's physical and digital infrastructure. (Source: http://tangible.media.mit.edu/projects/strata/)

... of information on-site. This will improve collaboration between on-site and laboratory archaeological research. (Source: http://tangible.media.mit.edu/projects/geoscape/)

... nature of the Triangles allows users to follow different paths as they navigate through the story space. (Source: http://tangible.media.mit.edu/projects/triangles_narratives/)

... the monitor, these parts dissolve and inside the portrait, the face of the observer will become partly or fully visible (see http://www.durbano.de/touchme/index.html). An artist-portrait is being used here as a motif to bring the visitor to touch the screen...

... technology plays ticks on the viewer´ s perception. (Kathy Rae Huffman, Exhibition Guide "The Conquest of Imperfection: http://www.cornerhouse.org/media/Art/Exhibition%20guides/Masaki%20Fujihata%201.pdf)

... The physical artifacts, or bricks, operate on top of a large horizontal display surface known as the ActiveDesk. (Source: http://tangible.media.mit.edu/projects/Bricks/)

... a whiteboard. This project was conducted when Ishii was working for NTT Human Interface Laboratories, Japan. (Source: http://tangible.media.mit.edu/projects/ClearBoard/)

... transmission. This project was conducted when Ishii was working for NTT Human Interface Laboratories, Japan. (Source: http://tangible.media.mit.edu/projects/TeamWorkStation/)

... experience that questions who is the observer and who is the observed. (Photos by Antimodular Research) More info: http://www.lozano-hemmer.com/eprlh.html