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... Parade in Manhattan, Renaissance paintings, a performance by a professional cantor, and an interview with war, economics and technology expert Manuel de Landa. These are mixed into a grand tapestry by the actions of viewers. (source:...

... and religion, which enables also the restoration of fragments of lost cultures. BNW (Biological NetWork) is a series of technology-based works at the center of the research and the exhibition on display on the top floor. Following studies that have...

... is found on the web, the complete sentence is captured and sent to the queue to be displayed. Through this automated technology the display will function like a cultural barometer, capturing and representing opinions and statements of fact about...

... digestive system. The possibility of visualizing change has continued to fascinate Hagdahl and today he uses new technology in his work on these issues. In a series of works he has developed computer-programmes that monitor different phenomena and...

...Lightpools or El Ball del Fanalet is a multi-user experience that uses Virtual Reality (VR) technology. It takes place in a circular arena approximately six meters in diameter, onto which a real-time computer generated image is projected from above. Each user is given...

... Morris Performance series. Entitled "Performing Bodies and Smart Machines". The series dealt with issues of the body and technology accross a number of disciplines. The piece was exhibited at The Thread Waxing Space in Soho as an installation. It was...

... randomly on the soles of its feet, reinforcing Eve Clone’s identity and destiny. To highlight how humans pursue and worship technology, the artist has intentionally created a golden Eve Clone head with 3D-printing. When viewers touch 666, the Number of the...

... randomly on the soles of its feet, reinforcing Eve Clone’s identity and destiny. To highlight how humans pursue and worship technology, the artist has intentionally created a golden Eve Clone head with 3D-printing. When viewers touch 666, the Number of the...

... something strange: we find it both in connection with car brakes and art projects which more or less successfully employ new technology. But Ursula’s object does not belong in this category, it is not a cybernetic artefact. This object is, however, a reply to...

... is a world where one part of the survived passed into a new form of life; the other part lost almost completely knowledge and technology. People who didn’t pass into the new state maintain the system of digital God-manhood taking care of bio-creatures. A part...