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The installation "Another Day in Paradise" was composed of three preserved trees: surveillance, video and touchscreen trees. The equipment not contained in the trees themselves was hidden from view in fiberglass rocks. The monitors were embedded in

... and group dynamics, actualized in corporate structure. It is a collaborative project on many levels, from the team of artists implementing it, to the actively participating audience attempting to gain shares in the body of work. At surface, Bodies...

... output) prints, along with light sensors and a computer connected to the Internet via a CU-SeeMe camera. The website www.arts.ucsb.edu/ concrete allows viewers to see the visitors/participants who walked on the concrete. (Victoria Vesna)

... choose and assemble. The databodies will grow and develop autonomously. There are seven levels to this Ruhr Body. The participant descends through the fluidiom fabrics filled with data that is continuously uptdated. The data is a mixture of images from...

Computer technology promised to save us time and provide a renewed sense of community. Instead we are collectively suffering from information overflow and lack of time, and we have to reconsider the established notions of "community". When thinking

... to the Garden Peninsula in Lake Michigan. This environment is processed in a manner closely related to the video synthesis art of the seventies. The luminescent waterfall is an entirely synthetic environment based on a very simple mathematical model that...

... dance and three-dimensional harmonic motion, and knots that untie themselves. The gallery will contain rooms where the participant can control snowstorms and be vacuumed by strange attractors.

...Fugitive is an interactive artwork which (via a machine vision system) interprets gross bodily movement as an indicator of "mood". The user moves through an impressionistic visual experience based in a digital video database. The question of Embodiment is central: we...

Sympathetic Sentience Is an interactive sound installation which generates complex patterns of rhythmic sound through the phenomenon of 'emergent complexity'. The original goal was to attempt to realise a project which manifested true

Dimensionalization Studies began as an informal collaboration between computer vision researchers and those of us building the stereoscopic camera rig for the See Banff Kinetoscope project, at Interval Research in 1993. The computer vision