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Continuum is a mirror that "captures" anything that moves before it. Anything that does not move is not reflected but is lost in the inky blackness of the background of the screen image. Continuum is a "mirror" that "reflects" things as both a

Images collaged from screengrabs taken during the development of the 'Crosstalk' project in 2013-14. Source: Simon Biggs

A yellow, two-meter-high siren slowly rotates around its own axis and produces a constant, penetrating, cyclical stream of sound that is modulated by the turning of the horn. Its powerful acoustic waves cause objects in the exhibition space to

Unusual, bright-colored birds were observed on the Piazza San Marco in the summer of 2012, and in Copenhagen in the same year similar birds were sighted, which largely maintained close proximity to pigeons. When looking at the birds more closely,

On a large white platform, the artist has arranged the typical Christmas scenario of his parents’ home: the family members, furniture and carpet from the living room, Christmas decorations, presents, and letters from family members. The annual

In a public exhibition space (Art Basel Unlimited), von Bismarck spent a week on a paraboloid-shaped cement disc, which rotated around its own axis at a speed of fifteen revolutions per minute. He slept, ate, read, and talked on the telephone while

Boulder I is a rock that sits upright on a cushion. Walking around the object, the viewer notices that the object had a hole on one side and is actually hollow. On display is therefore not a stone but a stone surface. Given that the eye can only

This film shows a monochrome landscape beneath a strip of sky. At first barely perceptible, a subtle movement is noted throughout the peaked contours of the waves—an organic contraction and expansion of a mountain-like skin. It is with the congealed

An old wooden boat is suspended from a metal frame like a swing, moving forward and backward in an unnaturally slow and almost imperceptible motion. The boat neither assumes the bouncing rhythm of a wave, nor the smooth alter- nation of a pendulum,

Twelve concrete mixers are arranged in a circle in the center of a large rectangular space. They form an “erosion machine” designed to accelerate the decay of Vienna. The mixing drums are filled with architectural debris taken from various buildings