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  • Year Zero -
    Year Zero - 2121 Exhibition Concept Open Call 2121 for works to a future audience in hundred years. Expo 2121 _ noemata.net Text, Video, Networked Performance © Lila Moore, All Rights Reserved Artist Statement by Lila Moore ART AS AN ACT OF
  • WINTERMUSIK -
    The interconnection between the musical and the visual work is particularly based on a constant exercise of deconstruction, where the human being and his body emerge as a matter of invention and of “decomposition” in many expression and in a
  • AUDIOVISUAL POEM -
    AUDIOVISUAL POEM is a quadrophonic electroacoustic composition which has a fixed structure, but for which nevertheless some events can be changed in real-time, allowing for diverse possibilities through the performance. This changes are not casual
  • RC Robot
    In 1986 Kac worked with radio-controlled telerobotics in the context of the exhibition "Brasil High Tech", realized at the Centro Empresarial Rio, in Rio de Janeiro. Kac used a 7-feet tall anthropomorphic robot (left) as a host who conversed with
  • Sphinx
    vintage fax on white paper, 21 × 29.7 cm (8.27 × 11.69 inches), 1987. Transmission information is visible on the left side. Transmitted from Rio de Janeiro to Mario Ramiro in São Paulo.
  • L
    vintage fax on white paper, transmitted to and exhibited in the show"City Portrait", Gallerie Donguy, Paris, 1990.
  • vintage fax on white paper, set of nine 8.5"x11" (21.6 x 27.9 cm) sheets, 1990. Transmitted to and exhibited in the show"City Portrait", Gallerie Donguy, Paris, 1990.
  • Note from Eduardo Kac: "Please note that it is impossible to convey the readerly interactivity and the spatiotemporal qualities of these pieces on a web page. The documentary images below serve as an introduction to this work. Six different points
  • Não!
    "Não!" is organized in text blocks which circulate in virtual space at equal intervals, leaving the screen blank prior to the flow of the next text block. The visual rhythm thus created alternates between appearance and disappearance of the
  • In this poem we look straight down at the top surface of a cube. An invisible light source orbits the cube, casting verbal shadows that can be seen gyrating clockwise, much in the manner of a sundial. As new shadows are cast, the letters permutate