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  • Turnstile II creates a virtual gateway where an endless realm of content is generated by the live culling of network objects from HTML pages, live chat and email archives. Through a familiar interface of a typewriter printing characters onto the
  • ... for any given web page. Using ScanLink the user can select a web site and get a list of all the sites that link to this particular web site. ScanLink was first shown as part of the Omnizone exhibition at plexus.org.
  • ... netomat was first shown at Postmasters gallery in NYC in 1999. For the Data Dynamics show at The Whitney Museum of American Art in 2001 a special version of the netomat browser was created to enable simultaneous input from two different users....
  • Latent State - video
    ...This project was developed during 2009 as part of my MFA thesis at the Design Media Arts department at UCLA. It consisted in the creation of a live cinema piece using a number of resources for real-time AV performance and a combination of digital and physical (or...
  • ... 10, 2001. It was a microsite in form of an animated snow globe containing information about the show and the participating artists. The viewers could navigate within the globe by clicking on any of the floating images or text and control the movement of...
  • ... changes before the viewer’s eyes forming a living digital wallpaper. Netomatheque was first presented at the San Francisco Art Institute as part of the "Telematic Connections: The Virtual Embrace." A travelling exhibition presented by Independent Curators...
  • ... one from the 2000s. For a period of a month, a custom designed ‘spider’ software would crawl the visible and invisible parts of the Internet and retrieve what was created or modified at these moments in time. The results which included messages that were...
  • ...Who the People?Artist: Lanfranco AcetiComment:
  • Public Speaking -
    ...Public SpeakingArtist: Sylvia Grace BordaComment:
  • ...The Re: Dakar Arts Festival project documents an ongoing art scam form. The scammers approach artists and galerists with open calls for a fake festival in Dakar, Senegal. To appear professional, they adopt different identities. To unveil their practice, three virtual...