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Scan Sweep Swipe Wipe investigates the possibilities of volumetric imagery; imagery that can literally be seen 'in the air' in three physical dimensions. The goal of the work is not generating a realistic three-dimensionality that represents reality

Underglow illuminated a number of separate gullies (drains) in the vicinity of Guildhall Yard, King Street and Queen Street and were visible from dusk to dawn from November 2005 until February 2006. Source: Susan Collins

Chaser transforms the top windows of the Tyne Bridge Tower in Gateshead into a rapidly moving light circuit of intense colour. Visible across the river Tyne in Newcastle, Gateshead and beyond, the animation will continually ‘chase’ around the

In June 2008 a webcam was installed overlooking Harewood House’s classical ‘Capability’ Brown landscape. The webcam is transmitting and recording images at the rate of a pixel a second so that a whole image represents the previous 21.33 hours. Each

SEASCAPE consists of a series of gradually unfolding digital seascapes created using imagery captured by webcams installed at five key coastal vantage points between Margate and Portsmouth. Sited at each location for up to a year before the start of

Love Brid is one of three short films commissioned by Animate Projects as part of Sea Change. It is an animated postcard, a loving tribute to the timeless charms of the seaside, and a colourful rollercoaster ride through the coastal town of

Excavation (part I), installed in All Saints Church, is a film sequence, projected on to the floor, showing an archaeologist’s hand gouging earth with a trowel during the excavation of Gawthorpe Hall the original Medieval manor house at Harewood.

London 2013 – and 2014 – reveal the view from Christina Niederberger’s studio on the 8th floor of ASC Studios’ Erlang House looking north over London’s newly emerging skyline. The images were constructed a pixel a second from top left to the bottom

Brighter Later, was a temporary light installation commissioned for the Radcliffe Observatory at Green Templeton College as part of Tracing Venus, the University of Oxford’s Public Art Programme for the Radcliffe Observatory Quarter. Inspired by

Data Arcade contains three games: Stock Invaders, Pipe Mania and Oil Kong. They are derived from famous existing games. Nideffer adds political and economic issues.