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Data Murmur
2013
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2013
video
The notable Italian political philosopher Franco "Bifo" Berardi recites a random poem of HTML code twice. First on the left of the split screen the camera maintains its distance allowing the bard to enact the poem, his shock of silver hair melting
Infinite Replay of One’s Own Self-Destruction
2012
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2013
video
Such is the very essence of this work, which utilizes these various strategies, layered upon each other to create a metaphor about grief and loss. For the stereo speakers can be about brothers, lovers, twins and the destruction of one's mate when it
Resistance is Fertile / Resistance is Futile
2012
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2012
... lit textual signs and marquees aiming at selling goods and
com
municating political and social gestures. The work of Warren...
Global Telepathic Broadcast
2009
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2009
video
...Global Telepathic BroadcastArtist: Warren Neidich
Com
ment:
In The Mind’s I Nuwella
2009
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2010
video
... to create works of art in their mind’s eye. The Minds Eye Be
com
es a kind of Stage in a Theater of consciousness that doubles as an...
In The Mind's I (Huang)
2010
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2010
... to create works of art in their mind’s eye. The Minds Eye Be
com
es a kind of Stage in a Theater of consciousness that doubles as an...
Brainwash
1997
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1997
video
... to the beach in which the equator and perspective have be
com
e dislodged and destabilized. This leads to what I refer to as a...
Inter-Sections
1995
Inter-Sections explored issues of privacy, mobility and technological voyeurism in a game-like context. The project involved outfitting a New York City taxi cab with a custom-designed Global Positioning Satellite receiver and a digital camera, both
Fetch-a-sketch
1995
Fetch-a-Sketch is a larger than life replica of an etch-a-sketch which functions as a familiar yet unique interface to the Internet -- allowing visitors in the physical space to create drawings and upload them to the Fetch-a-sketch website while
metaView
1998
video
metaView is a web viewer that displays information contained within the HTML tags which is typically not displayed in regular web browsers. metaView was first shown at the New Media Centre at the Institute of Contemporary Arts, London, UK in 1998.
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