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Data Murmur
2013
-
2013
video
The notable Italian political philosopher Franco "Bifo" Berardi recites a random poem of HTML code twice. First on the left of the split screen the camera maintains its distance allowing the bard to enact the poem, his shock of silver hair melting
Infinite Replay of One’s Own Self-Destruction
2012
-
2013
video
Such is the very essence of this work, which utilizes these various strategies, layered upon each other to create a metaphor about grief and loss. For the stereo speakers can be about brothers, lovers, twins and the destruction of one's mate when it
Resistance is Fertile / Resistance is Futile
2012
-
2012
...SKOR | Foundation for
Art
and Public Domain Two neon signs are superimposed one upon the other. One in green says "Resistance is Fertile", while...
Global Telepathic Broadcast
2009
-
2009
video
...Global Telepathic Broadcast
Art
ist: Warren NeidichComment:
In The Mind’s I Nuwella
2009
-
2010
video
...In the Mind’s I is a one-on-one performative
art
work in which Warren Neidich utilizes visual memories of objects and scenarios of p
art
icipants...
In The Mind's I (Huang)
2010
-
2010
...In the Mind’s I is a one-on-one performative
art
work in which Warren Neidich utilizes visual memories of objects and scenarios of p
art
icipants...
Brainwash
1997
-
1997
video
... to a condition called nystagmus and poor stability. The Optoki
net
ic Nystagmus Drum allows doctors to make objective judgments about... and subjective relations cannot be separated. The body is p
art
of the world and that world is to a certain extent formed by new...
Inter-Sections
1995
Inter-Sections explored issues of privacy, mobility and technological voyeurism in a game-like context. The project involved outfitting a New York City taxi cab with a custom-designed Global Positioning Satellite receiver and a digital camera, both
Fetch-a-sketch
1995
... functions as a familiar yet unique interface to the Inter
net
-- allowing visitors in the physical space to create drawings and...
metaView
1998
video
... shown at the New Media Centre at the Institute of Contemporary
Art
s, London, UK in 1998.
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