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  • Portrait of Eve Clone -
    I named it Eve Clone as God created Eve, and humans want to play God and created a cloned Eve. I integrate the elements of the human chrysalis and human beast to shape the double identities of Eve Clone, who was both charming and evil. I quoted the
  • I named it Eve Clone as God created Eve, and humans want to play God and created a cloned Eve. I integrate the elements of the human chrysalis and human beast to shape the double identities of Eve Clone, who was both charming and evil. I quoted the
  • The Last Supper v02 -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1994 Victor: Here is my favorite iteration of a piece that was
  • Whiteout - video
    Hundreds of transparent white spheres, each embedded with a discrete, programmed, white LED light are suspended from a square grid of steel poles and cabling. They form a luminous white carpet across the Park's central Oval Lawn. The orbs are
  • World Without End -
    World Without End Virtual Reality, Commission, Manarat al Saadiyat 2017-18 Overview For Manarat al Saadiyat cultural center program, "Ramadan Arcade", artworks were commissioned that addressed Emirates culture during the holiday season. For this
  • Heroes are hard to find. The few, who are considered to be worth remembering, are placed somewhere, soon to be forgotten. In the obscurity of arterial roads and shaggy groves characters of bronze or stone wait to be recognised. Maybe they freeze in
  • WINTERMUSIK -
    The interconnection between the musical and the visual work is particularly based on a constant exercise of deconstruction, where the human being and his body emerge as a matter of invention and of “decomposition” in many expression and in a
  • Wine
    A delicate and silent animation. It suggests an inebriate mental state in which foreground and background blend in almost undifferentiated fashion. The poem articulates the fleeting apparitions of the words from within themselves, as if one word
  • Timo Kahlen's interactive work of net art /source/ (Postfactual), 2017 invites the viewer to search for reliable sources, for valid ‘facts’, for trusted nodes of information on the internet. A seemingly void, monochrome white surface is all it
  • Floating Signs -
    Light installation in public space, 2011-present Harbour, Bregenz (A), invited competition Departing from ambiguous concept and image worlds related to terms like harbour, arrival, staying (also being allowed or having to stay), 'Floating Signs',