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... and visual rhythms of Taiwan and New York. As images fill the screen, differences in color palettes, contrast, and other dimensions between the two cities become apparent. Source: Lev Manovich

...'Dark Matter' is a fully immersive, physically interactive, three-dimensional digital projection environment. The artwork explores whether the body might be perceived as an absence, inferred from the physical and cultural information around it. In this context,...

... and manipulates the constituent pixels of the original images and then anamorphically reconfigures them in a virtual three-dimensional space. This digital tromp l'oeil interpolates the awesome contemporary view of planet Earth photographed from space with...

... work a particular transparency and immateriality compared with the later work that used building-sized flat, shaded, three-dimensional fonts. Of relevance to the understanding of the technologies that enabled this artwork is the fact that in 1988...

... Each person can choose any character from one of these alphabets. This then appears on the stereographic screen as a three-dimensional character-object, which the user can freely rotate and move about using the 3-D mouse. The screen image is a shared...

... projectors present a stereo pair of images and viewers wearing polarising spectacles can see the projected imagery in three dimensions. One of the visitors to EVE wears a helmet with an attached spatial tracking device that identifies the position and angle...

... was to devise a heterogeneous electronic landscape as a virtual environment into which a diverse range of two- and three-dimensional information spaces could be integrated and linked. It sought to create a connective—as distinct from...

... poet A??k Veysel, into this virtual world. The words leave traces of the visitor’s movements, making them into a three-dimensional poem. This visual landscape of scenes and events is conjoined with musical compositions selected specially from the archive...

... of the caves are rendered virtually within the architecture of a simply constructed rectangular room that shares same dimensions as those of Cave 220 itself. This new technical rendering of Pure Land (2012) is facilitated by the use of infrared...

... Extremely long reponse times, consistent errors. Marked confabulation and ideational perseveration on Logical Memory. A 3-dimensional grid x-y-z coordinates. Proof-schema A gravitational pull in pixels perframe. Substitution - consistency - conjuntion....