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... elements, and every photo creates its own space. TIME. Each animation is approximately one minute long. Every animation starts with a photo as a still image. There is no movement. Then slow panning shows parts of the photo. The speed of panning is...

For us humans, who are limited in time and space, time is a one-dimensional affair. We can move only along one axis we define in co-ordinates of "past-present-future". (In this definition, "present" is the origin of our co-ordinate system, "past"

... of ISEA2006 show UNCONTAINED - an official parallel exhibit to the 2011 Istanbul Biennial. "Not There" is an exhibition of artworks from the Manifest.AR Venice Biennial 2011 AR Intervention still up and running at the Venice Biennial. The Kasa Gallery show...

This 3-D computer animation originally was designed to an opera-piece. The main question of the opera was how we perceive time. The animation is about a small German village in a rainy day, and visualizes the miraculous moment when all of a sudden

“Monolith” deals with the complexities of fear as a contemporary social phenomenon. By letting the viewer experience fear, the installation offers critical insights into the effect of cultural conditioning in contemporary society. Furthermore, it

Landing fields

... time. Research on shape perception and cognitive science supports this optical display as a fusion point of scientific and artistic explorations.

... and the Far East. In one image he is hanging out with Pussy Riot and in another wearing arabic robes. That I am a radical artists with anarchistic tendencies who has worked in Egypt with many Islamic musicians ,as well as Franco Berardi the political...

...A cartographic map of the different flows that constitute my theories of a becoming cultured brain. More specifically how noise and improvisation through their bringing about difference and variation in the cultural landscape producing other neural architectures and...

... up the possibility for complete subjective re interpretations of these events by the performers and talks about the power of artists to create alternative interpretations to historical events opposed to institutional ones. Emily Harvey Foundation, November ...