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date | place MAY 4 - JUN 20, 2001 Mica Moca, Milan, IT concept, composition: Ryoji Ikeda commissioned by Mica Moca, 2001 spectra is a series of large scale installations employing intense white light as a sculptural material.

date | place OCT 2-7, 2001 Centraal Musuem, Utrecht, NL concept, composition: Ryoji Ikeda commissioned by Impakt Festival, 2001

Pulse Tank is an Interactive installation where the heart rates of members of the public are detected by sensors and converted into water waves in a ripple tank. A light show is created by the resulting waves and their interaction. To participate,

date | place APR 26 - JUN 18, 2000 Hayward Gellery, London, UK tech spec speaker HHB Circle 5 8 power amplifier non-specific 4 8ch HD playback system AKAI DR8 1 white wall non-specific 2 white

Surface Tension is an interactive installation where an image of a giant human eye follows the observer with orwellian precision. This work was inspired by a reading of Georges Bataille’s text The Solar Anus during the first Gulf War –the first

Synaptic Caguamas is a kinetic sculpture consisting of a motorized Mexican “cantina” bar table with 30 “Caguama”-sized beer bottles (1-litre each). The bottles spin on the table with patterns generated by cellular automata algorithms that simulate

Warsaw 2010. Brand new science centre opening in Warsaw, autumn 2010. The first science centre to open in Eastern Europe. Computer rendering: triple installation.

TITLE: There is no business ARTIST: Rafael Lozano-Hemmer WORK DATE: 2009 CATEGORY: Installations MATERIALS: Installation néon, métal, timer / neon installation, metal, timer EDITION/SET OF: 1/6 SIZE: h: 60 x w: 60 x d: 8 cm / h: 23.6

Third Person is the second piece of the ShadowBox series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's shadow revealing hundreds of tiny words that are in fact all the verbs of the dictionary

Beyond Manzanar is an interactive 3D virtual reality environment, a metaphorical landscape that explores political scapegoating of ethnic populations in times of crisis. The historic experiences of Japanese Americans in World War II and the more