Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
(selected)
Work with Video
Literature
Institution
Event
Feature
All Categories
Search words under length of 4 characters are not processed. Use single quotes ' for phrases with spaces.
1
…
(more)
176
177
178
179
(current)
180
(more)
305
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
I am a Sensor
2013
Seit den 90er Jahren haben sich zwischen den Künstler und sein Publikum jede Menge Apparate und Apparaturen geschoben. Kommunikation geschieht geplant, kontrolliert, reduziert, erweitert – kurz: posthuman. Dabei wird in Kauf genommen, dass jedes
NUMÉRAIRE ET NUMÉRIQUE
1999
-
1999
NUMÉRAIRE ET NUMÉRIQUEArtist: Hervé FischerComment:
ICONES NUMÉRIQUES
1999
-
1999
Icônes Numériques codes barres, ADN, réseaux numériques
ART AND MYTHOANALYSIS
2013
-
2013
ART AND MYTHOANALYSISArtist: Hervé FischerComment:
Keep Hope Alive Block Party
2013
-
2013
Whenever the inequitable distribution of resources crosses into territories once thought impossible, Critical Art Ensemble (CAE) has responded with a public party to highlight the achievements of various oligarchies and plutocracies in a manner that
A Public Misery Message: A Temporary Monument to Global Inequality
2012
-
2012
CAE transforms statistical data on global economic inequality into an embodied spatial experience. Using a helicopter, participants are lifted to hover at a height that allows them to visualize the economic separation of the top 1% from the bottom
Winning Hearts and Minds
2012
-
2012
War zones are as instructive as they are destructive. Since Vietnam, they have beautifully illustrated the contradiction between capitalism and democracy. They teach the lesson that (false) democracy is an alibi for the good intentions of capitalist
Free Range Grain
2003
-
2004
Free Range Grain was a live, performative action that used basic molecular biology techniques to test for genetically modified (GM) food in the global food trade. CAE wanted this interventionist performance to demonstrate how the "smooth space" of
Molecular Invasion
2002
-
2004
Molecular Invasion was a participatory science-theater work done in cooperation with students from the Corcoran School of Art and Design and exhibited at the Corcoran Gallery, Washington, DC. In this work, CAE/da Costa/Pentecost and selected
Metabodies
2013
This project investigates the unexpected diversity to be found on the human ecosystem and its 'social network'; this, by focusing on the language of billions of bacteria, which populate it. Sonja Bäumel tested two subjects each of them left hand
1
…
(more)
176
177
178
179
(current)
180
(more)
305