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(W)orld Currency
2014
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2014
"This artwork illustrates a global currency through the creative formulation of an equation and a trading algorithm for the currency exchange market. The visionary creation of algorithmic trading combines art with the material that governs
ADA
2010
-
2014
analog interactive installation / kinetic sculpture / post-digital drawing machine
INCUBATOR Hybrid Laboratory at the Intersection of Art, Science and Ecology
2009
INCUBATOR Hybrid Laboratory at the Intersection of Art, Science and Ecology School for Arts and Creative Innovation, The University of Windsor Director, Dr. Jennifer Willet 2009 – Ongoing INCUBATOR is a physical and theoretical hub, a new
CodeZebra
2000
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2008
CodeZebraOS is an a
dvanc
ed web based visualization tool an
d a c
reative www environment that enables conversations between different individuals and groups on the Internet. Applications include performances, video documentaries; dance performances
Remote Sensing
2013
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2013
Plaster, pigment and resin.
While Darkness Sleeps
2013
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2013
While Darkness Sleeps is a series of images of underwater creatures seen through the process of microscopy. Employing a dissection microscope, the specimen is placed in a Petri dish on the stage of the microscope. A camera is attached to the
Vanitas in a Petri dish
2013
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2013
Vanitas ( in a Petri dish), a series of digital photographs bringing the concept of vanitas into the 21st century. In prior centuries, vanitas paintings warned against the excesses of material culture. Expressing the futility of life and its
Biota
2011
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2011
Biota is a porcelain sculptural installation employing the morphology of the sea sponge as a matrix. Arranged on low-standing Plexiglas platforms, the sculptures appear as if they were dead coral. In the sea, such exoskeleton frameworks signal the
Latent Figure Protocol
2007
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2009
Latent Figure Protocol takes the form of a media installation that uses DNA samples to create emergent representational images. The installation includes a live science experiment, the result of which is videotaped and repeated for the duration of
Nature?
1999
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2000
"In “Nature?” I have created live butterflies where their wing patterns were modified for artistic purposes. Such changes were achieved by interfering with the normal development of the wing, inducing the development of a new pattern never seen
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