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Underglow illuminated a number of separate gullies (drains) in the vicinity of Guildhall Yard, King Street and Queen Street and were visible from dusk to dawn from November 2005 until February 2006. Source: Susan Collins

SEASCAPE consists of a series of gradually unfolding digital seascapes created using imagery captured by webcams installed at five key coastal vantage points between Margate and Portsmouth. Sited at each location for up to a year before the start of

Love Brid is one of three short films commissioned by Animate Projects as part of Sea Change. It is an animated postcard, a loving tribute to the timeless charms of the seaside, and a colourful rollercoaster ride through the coastal town of

Excavation (part I), installed in All Saints Church, is a film sequence, projected on to the floor, showing an archaeologist’s hand gouging earth with a trowel during the excavation of Gawthorpe Hall the original Medieval manor house at Harewood.

Data Arcade contains three games: Stock Invaders, Pipe Mania and Oil Kong. They are derived from famous existing games. Nideffer adds political and economic issues.

It´s a Simulation game that continues data from the real world.

It´s a game where you can create your own Environment.

And That’s The Way It Is is a collaboration between the University of Texas’s public art program Landmarks and The Office for Creative Research from the spring of 2012. Drawing on transcripts from the Cronkite archives held by the Briscoe Center and

Shakespeare Machine is a permanent artwork in the lobby of the Public Theater in New York City. It was commissioned by the Department of Cultural Affairs’ Percent-for-Art program and the Public Theater. It was opened to the public in October, 2012.

Beacon (2010) is an light sculpture created by media artist Ben Rubin; its animated shapes are based on the unique visual structure of the pages of the Talmud. It was commissioned by the National Museum of American Jewish History in Philadelphia,