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... when all of a sudden time has been stopped. Therefore all the raindrops are frozen in the air, generating an organic, 3 dimensional grid of the space. The only living element in the animation is the virtual camera, which one moves through the village.

... level. Rhythmic pulses of color illuminate ambiguous and “impossible” shapes as they appear to shift between two and three dimensions. Inspired by Penrose “impossible triangle,” the colorful planes of the entirely static image appear to be shifted in the...

..."In the first version of "The forest", made as a computer animation, the image of the forest creates the impression of a three-dimensional space constructed from elements which themselves are only two-dimensional. The basis for the image is a black-and-white drawing of...

... groundbreaking networked VR installation invites visitors to explore an immersive, imaginary world, offering striking three-dimensional visual and auditory sensations. THE IMPORTANCE OF THE HOME OF THE BRAIN IN THE HISTORY OF VR Home of the Brain was a...

... the future and the present. Perhaps, the reality of the present and how we understand it is a plane that moves in a three-dimensional structure past-future, and we can investigate only those cause-effect connections that are located either close to this...

... horizontal displays creates a performative interface environment that combines action and perception. The horizontal two-dimensional interactive tabletop and the combined vertical floor-to-ceiling 3D projection of the virtual cityscape are haptically and...

... data on a horizontal tabletop. Lightweight stereoscopic shutter glasses are used to view these images in three dimensions. To view the virtual environment from the correct perspective, a magnetic tracking system follows the navigator's head in...

... room. To create this deceptively low-tech installation, Lazzarini laser-scanned an actual human skull to create a three-dimensional CAD (computer-aided design) file, which, he then subjected to various distortions. The resulting distorted files became...

... of this experience; the natural light fluctuations seems to follow a specific concept set by the artist. The room's original dimensions are no longer discernible. The wall – long and reminicant of exhibition rooms common in 19th century – is pulled in like a...

... at a distance, transforming the moving bodies into black dots that form drawings in action. The real scenes generate two-dimensional configurations on the electronic screen through units that group together, move away, creating lines in the luminous field...