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  • Drive -
    ...Drive is a video installation that combines traditional cinematic technology with new digital and military-based imaging systems. These include new tracking, identifying, and targeting technologies. Combining old and new, analog and network, civilian and military,...
  • ...Repsat uses the latest 3D printing technology and it´s conversion from digital files to printed format. Through this conversion we obtain three dimensional models in low relief called litophanies. This litophanies when are retroiluminated works as a bitmap in black and...
  • ... in golden lines; Lin Pey-Chwen uses these numbers from the Bible to indicate that Eve Clone is by nature a product of technology.
  • ... performance. The reactions of the robot as well as the musical program are derived from her vocal characteristics. Via the technology it is converted into energy which activates the peaks of the robot's spikes against the man's body. As an...
  • ... and metaphorically INCUBATOR serves as site for innovative productive and performative imaginings of biotechnology as a technology of the body – a complex ecology – that implicates each of us intellectually and biologically in the continued propagation...
  • ... historians and intellectuals. As one of the first VR works of art, it attracted particular attention for its novel use of technology and immersive experience, but as it was dedicated to four philosophers and scientists it was also understood as a new...
  • mimesia -
    ... game, there is no quest - it is an evocation of a dream, an unfolding memory. Mimesia using the visual effects of games technology to produce a kitsch realism, whilst referencing the cinematic floating steady-cam to create the dreamlike sense of...
  • Her Long Black Hair -
    ... music, and other atmospheric and cultural elements. At once cinematic and non-linear, Her Long Black Hair uses binaural technology--a means of recording that achieves incredibly precise three-dimensional sound--to create an experience of physical...
  • INCUBATOR
    ... are triggered by the viewer. – Uršula Berlot 'While the artists use light, the video camera and digital sound this technology is not in and itself the subject of their art. they have the power of transformers. (...) There is a self conscious space of...
  • conFIGURING the Cave -
    ... and pictorial procedures to identify various paradigmatic conjunctions of body and space. The work utilises the CAVE technology stereographic virtual reality environment with contiguous projections on three walls and the floor. The user interface is...