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Interference – a network dropping out, white noise on screens – is seldom welcome. Yet without it, we might not encounter new perspectives or discover new stars. At Jodrell Bank Observatory, scientists regard interference as unhelpful noise or

The totem consists of a clock mechanism, a monitor, and hidden video camera. It is a symbolic representation or embodiment of the concept of time and serves as a reminder of its flow, the impermanence of life or the cyclical nature of existence.

'Divination: A Romantic Mutiny in a Maelstrom of Data' by Nancy Mauro-Flude. Produced by Contemporary Art Tasmania. The maiden voyage performance of Pyrate Queen and her crew, set sail for the duration of Dark Mofo 10–19 June 2016. Toured in 2017

All the world's a stage, And all the men and women merely players -- Shakespeare. World Stage, uses digital representations of global species of butterflies to animate the powerful iconography of worldwide flags. In a year when national, political

This interactive real-time artwork comments on the volatility of the stock market and the ephemeral nature of wealth, through an exploration of the intersection of technology, finance and mythology. Harris employs live market data, organising

website-specific and interactive videos with strange subtitles and other misused YouTube functions. each one based on & using sounds from one category of YT's Audio Library. . . . YouTube’s Audio Library is an archive of 4000 sound effects for

Have you ever had a wish filled with anticipation, hoping it would come true? Or have you ever looked forward to the future, eager to see those beautiful moments? “I Have a Wish" was born out of these thoughts. When you think of something, all that

Medienkunst Lernen: Neue Medien im Unterricht Medienkunst Lernen stellt zahlreiche Unterrichtsmodelle ausführlich dar und zeigt auf, wie neue Medien insbesondere in den musisch-kreativen Fächern in verschiedenen Jahrgangsstufen eingesetzt werden

MARS—the Media Arts Research Studies at GMD (1995–2001) and at Fraunhofer (2001–2012) The MARS - Exploratory Media Lab, initiated and directed by Monika Fleischmann and Wolfgang Strauss since 1997, designed and developed research prototypes,

How much do you need to be happy? A participatory augmented reality art project, engaging and questioning mechanisms of consumption and the commodification of happiness. This second edition of "Goldsegen" celebrated Singapore's 50th anniversary and