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BioARTCAMP
2011
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2011
BioARTCAMP is a two-week residency program at The Banff Centre directed by Dr. Jennifer Willet from The University of Windsor, Canada. BioARTCAMP is a hybrid workshop / conference / performance event where 20 national and international artists,
Individual Fancies
1997
Interactive tea table installation Zone Gallery (Newcastle). Solo show.
The Tables have Turned
2008
Shadow play installation, thirty turntables with reverse painted mylar cylinders, audio piece performed by Alaknanda Samarth 20 Min
"on the subject of sex..."
2001
Video, 4 min 13 sec, color, sound An experimental documentary, part of the web project "Women of a Certain Age"
Lights Contacts
2010
video
Lights Contacts is an interactive artwork perceptible by two people and more. This sensory installation is tactile, luminous and sonorous. It proposes an original and interactive stagings where spectators’bodies are transformed into real sonorous
Magic forest
2002
Magic Forest. 2002. Was made for the exhibition Head On in 2002, a show at the Science Museum on neurology and the brain. The work was produced in collaboration with Wellcome Foundation. The final work is a dream-like journey through a sea of
Fray: Coming Away the Ends
2010
4 projector slide dissolve work 2010 The work is a meditative piece that follows the 10 or more ways that come together in the cell to cause it to die and us to age; the protein debris that accumulates, the chromosome damage produced, etc. etc. The
Global Direct
2014
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2014
"Global Direct introduces the idea of direct participation in worldwide governance within the tradition of utopian artistic visions. The artwork is presented as a visionary political program that structures global direct democracy through the
Remembering Mad Meg
2007
Video shadow play, two single channel animations, a series of lights and eight rotating reverse painted Lexan cylinders, sound, 3 min
Post Brands
2004
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2004
"This is a triptych of three street art pieces that starred in a poster campaign that took place over several years in a number of European cities. The artworks were printed in black and white on wide format paper or stickers and pasted illegally on
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