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Extended Family
2004
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2004
"Installation with human beings (Homo sapiens), zebra-fish (Danio rerio), fruit flies (Drosophila melanogaster) and DNA microarrays. With “The Extended Family” the similarities between all live organisms are asserted. It will be shown that when
Tree of Knowledge
2004
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2005
"The project Tree of Knowledge explores interactions between art and science by using novel cell imaging and tissue culture technologies in order to create live sculptures. When creating a sculpture, the choice of medium is critical as it directly
I.E.D (Improvised Empathetic Device)
2007
I.E.D (Improvised Empathetic Device) The current U.S. led war in Iraq has suffered enormous casualties, where the toll on civilian lives in Iraq is vague and many times unreported. The number of U.S. casualties is reported and monitored, many of
Cycloramadrome
2014
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2014
Cycloramadrome is a project in which the spectators can interact with the work in the immersive ambient environment. Exploiting the technology of 360-degree projection developed in the 50s, the artist sets out to utilize aspects of the surrounding
I am a Sensor
2013
Seit den 90er Jahren haben sich zwischen den Künstler und sein Publikum jede Menge Apparate und Apparaturen geschoben. Kommunikation geschieht geplant, kontrolliert, reduziert, erweitert – kurz: posthuman. Dabei wird in Kauf genommen, dass jedes
Keep Hope Alive Block Party
2013
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2013
Whenever the inequitable distribution of resources crosses into territories once thought impossible, Critical Art Ensemble (CAE) has responded with a public party to highlight the achievements of various oligarchies and plutocracies in a manner that
A Public Misery Message: A Temporary Monument to Global Inequality
2012
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2012
CAE transforms statistical data on global economic inequality into an embodied spatial experience. Using a helicopter, participants are lifted to hover at a height that allows them to visualize the economic separation of the top 1% from the bottom
Winning Hearts and Minds
2012
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2012
War zones are as instructive as they are destructive. Since Vietnam, they have beautifully illustrated the contradiction between capitalism and democracy. They teach the lesson that (false) democracy is an alibi for the good intentions of capitalist
Free Range Grain
2003
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2004
Free Range Grain was a live, performative action that used basic molecular biology techniques to test for genetically modified (GM) food in the global food trade. CAE wanted this interventionist performance to demonstrate how the "smooth space" of
Molecular Invasion
2002
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2004
Molecular Invasion was a participatory science-theater work done in cooperation with students from the Corcoran School of Art and Design and exhibited at the Corcoran Gallery, Washington, DC. In this work, CAE/da Costa/Pentecost and selected
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