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... from Newcastle's Ouseburn Valley, digital and acoustic sounds. The lyrics have been reduced...

... immaterial production in a virtual world, and if and how this can be transferred into an...

... very basic yet seemingly natural forms of artificially intelligent environments. rAndoms’... in Mayfair. Exhibiting both ‘Swarm Light’ and ‘Self Portrait‘, the show lays the ground for a...

... that aims to define, architecturally and imaginarily, the idea of home. As an...

... of a little girl becomes the starting point for linking the lives of three women... for linking the lives of three women and two men. It is the case by Inspector Gary...

"CHAMBERS" is Stenger's second movie in the Virtual Reality TRILOGY, programmed in web-based VRML, it was also conceived for immersion. Narrative, recurrence, timelessness, all 3 aspects of time are at play, in this emotional progression through

... display turns the piece into a tangible part of the architecture of the space. The... Commissioned by Candy & Candy for Home House, London / UK ‘Radius’ is a sound-reactive media...

"DYNASTY" is Stenger's third Virtual Reality movie, programmed for web-based VRML, but also conceived for immersion. Synopsis: A child again, you encounter ancestors from a remote past, who welcome you to your Dynasty. Together you will reach

... concentrates once more on the direct and physical relationship between the viewer and...

... work programmed in early VRML 1.0, silent and un-animated. 3D words expressing the most...