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Constable
2006
-
2006
Two installations help visitors interpret John Constable's work at Tate Britain, through active participation and observation. Created at AllofUs.
We Feel Fine
2005
We Feel Fine is an exploration of human emotion on a global scale. Since August 2005, We Feel Fine has been harvesting human feelings from a large number of weblogs. Every few minutes, the system searches the world's newly posted blog entries for
Listening Post
2003
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2003
Listening Post is situated in the permanent collections of the Science Museum, South Kensington, London, and is on site loan to the Decode exhibition. It can be viewed on the first floor of the Science Museum. Listening Post has been presented
Social Collider
2009
... language. His work is exhibited
international
ly including, at MoMA, New...
Make Out
2009
-
2009
Make Out Shadow Box 8 , 2009 "Make Out" is the eight piece in the Shadow Box series of interactive displays with a built-in computerized tracking system. This piece shows thousands of internet videos of couples looking at each other: as soon as
bit.code
2009
... Popp has exhibited his work
international
ly. In 2003 he won the...
I wanted to see all of the News From Today
2010
I Wanted to See All of the News From Today provides an immersive experience by amassing the front page of hundreds of newspapers from around the world and displaying these images within the screen space of a single webpage. Continuously gathering
Lagoglyph
2010
The Lagoglyphs are a series of artworks in different media in which Eduardo Kac creates a visual language and form of writing that he describes as "rabbitographic". The series references Kac's project GFP Bunny (2000)—also known as Alba, the green
News/Reel
2005
NEWS and REEL (2005) were developed during an artist’s residency undertaken at the Media Archive for Central England (MACE), in September 2005. The residency was one of three organised as part Necessary Journeys, an Arts Council England programme
Satellite Contact
2004
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2005
Satellite Contact is a two-screen video portrait of the British National Archives (formerly known as the Public Records Office). Satellite Contact never touches the ground: it takes the viewer on an hour-long roller-coaster ride through the guts of
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