Archive Search

Seit den 90er Jahren haben sich zwischen den Künstler und sein Publikum jede Menge Apparate und Apparaturen geschoben. Kommunikation geschieht geplant, kontrolliert, reduziert, erweitert – kurz: posthuman. Dabei wird in Kauf genommen, dass jedes

Whenever the inequitable distribution of resources crosses into territories once thought impossible, Critical Art Ensemble (CAE) has responded with a public party to highlight the achievements of various oligarchies and plutocracies in a manner that

CAE transforms statistical data on global economic inequality into an embodied spatial experience. Using a helicopter, participants are lifted to hover at a height that allows them to visualize the economic separation of the top 1% from the bottom

War zones are as instructive as they are destructive. Since Vietnam, they have beautifully illustrated the contradiction between capitalism and democracy. They teach the lesson that (false) democracy is an alibi for the good intentions of capitalist

... to test foods for common genetic modifications. Members of the public brought us foods...

Molecular Invasion was a participatory science-theater work done in cooperation with students from the Corcoran School of Art and Design and exhibited at the Corcoran Gallery, Washington, DC. In this work, CAE/da Costa/Pentecost and selected

... artist who is more interested in the implications of viewer’s perspective. The audience...

... understanding how our bodies communicate with the environment? To make the hidden...

... whole-body picture. After the application of the invisible bacteria colour on the...

... visualised? And what would be the applications and the implications which could derive...