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Goldsegen
2014
Participatory Augmented Reality Public Art Project. "Goldsegen (Golden Blessings)" - How much do you need to be happy? This project engages and questions the mechanisms of consumption and their promises of happiness. The artist posed the question
Sustainable Cinema No. 1: The Image Mill
2009
... moving picture. As water falls
over
the giant wheel, a transmission...
Sustainable Cinema No. 3: Praxinoscope Windmill
2011
video
The 19th century Praxinoscope consisted of a circular beveled mirror reflecting a series of animation frames. When the device is spun, a moving image appears on the mirror. Using wind as the power and a structure that references the Eiffel Tower
Sustainable Cinema No. 4: Shadow Play
2011
video
The silhouettes of the ancient art of Shadow Play are achieved by light penetrating a translucent screen, and this sculpture uses the rotation of the windmill as the power to generate the backlight for the presentation. Additionally, the wind turns
Sustainable Cinema No. 5: Dual Windmill
2011
The Dual is an optical illusion in which two disks rotate in opposite directions; the front disk is black with slits that act as a shutter, the rear disk contains the animation frames. When the disks spin, the animation is visible. In this artwork,
Celestial Mechanics
2005
... of the aerial technologies h
over
ing, flying, and drifting above us....
GPSFilm
2008
video
... the system, Singaporean film
make
r Kenny Tan's "Nine Lives" is a...
The Moon is a Mirror
2014
video
... screen diffuses the LEDs and
make
s the video recognizable—nature... The organic screens are placed
over
an LED grid that plays the...
Mulholland Drive
2005
Three artists drove Los Angeles' famous Mulholland Drive with five types of sensors--measuring the tilt, direction, altitude, speed and engine sound of the car. The captured data was then used to create an exact 3-D path in a computer, duplicating
ReVisioning the Virtual Wall
2009
The digital collages (3 shown here by Tamiko Thiel, and 3 others by Teresa Reuter/Sabe Wunsch) show scenographies of the Berlin Wall that are conceived as associative spaces of memories - by mixing temporal and geographical elements as well as
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