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...The relationship between the work and its frame and between art and its spaces for exhibition and legitimisation has been one of the preoccupations of twentieth-century artists. In the multiple conceptual acrobatics which led Klein to exhibit emptiness, Armand to...

... creation and exhibition. IN/OUT is one of the CITU’s research axes aiming at creating a collaborative approach of media art creation through an experimental system of “Peer-to-Peer” production. The concept resides in the idea that artist could be part...

...Part I: on the embodied experience and the augmentation of space

On what the temporal understanding of space and the play of memory

...led Public," 2005 computer, custom software, camera, projector variable dimension interactive installation Installation view at Sala de Arte Público Siqueiros, Mexico City, México. "Subtitled Public" consists of an empty exhibition space where visitors are tracked with...

"Cardinal Directions," 2010 Surveillance monitor, embedded computer, infrared sensors, robotic actuator, slip ring, stainless steel support, custom software, metal certificate 51.1" x 11.8" x 11.8" / 130 x 30 x 30 cm, free-standing sculpture edition

"Levels of Nothingness," 2009 Sept 17 - 21, 2009 The Guggenheim Museum, New York performance, installation dimensions variable Inspired by Vasily Kandinsky’s Yellow Sound (1912), Rafael Lozano-Hemmer created an installation where colors are

On what is data/metadata?

...On the "convergence" of technology in industry and the possibility of "divergence" of technology in new media art

...Part 5: On the relation between new media artist, industry and open source