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Everyone Forever
2006
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2006
The Victoria & Albert Museum commissioned us to create the Madejski Garden Winter Light Installation for 2008-9, to mark the start of their new digital programme of exhibitions. Besides being an engaging artwork, it had to be weatherproof, and have
Stockspace
2009
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2009
Generator.x is a curatorial platform exploring the use of generative strategies and software processes in digital art, architecture and design. It focuses on a new generation of artists and designers who embrace code as a way of producing new forms
Digital Zoetrope
2008
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2008
Troika was commissioned by onedotzero to create a custom installation and visual identity around the theme of this year’s festival 'Citystates'. Opting to create an installation and identity that integrate into each other, Troika designed a
Arcs21
2009
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2009
Continuing in the tradition of free online distribution of netart in the 90s, Arcs21 offers the user the possibilities of research, playing and co-creation: browserspace is translated into a realtime artwork which is freely available over the
data.scan
2009
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2009
Ryoji Ikeda is one of Japan’s most celebrated electronic composers. Since 1995 he has been making work that investigates the characteristics of sound, exploring frequencies and the fundamentals of data. He has collaborated with a diverse range of
7 Fragments for Georges Méliès
2003
Fragments for George Meliès.
A Documentary
2000
A documentary about William Kentridge. Duration: 52 minutes.
Felix in Exile
1994
Kentrigde uses charcoal and pastels for his drawings in which he erases and redraws parts to create stop motion style animations.
Weave Mirror
2007
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2007
The mechanical mirrors are made of various materials but share the same behavior and interaction; any person standing in front of one of these pieces is instantly reflected on its surface. The mechanical mirrors all have video cameras, motors and
Opto-Isolator
2007
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2007
Opto-Isolator (2007: Golan Levin with Greg Baltus) inverts the condition of spectatorship by exploring the questions: "What if artworks could know how we were looking at them? And, given this knowledge, how might they respond to us?" The sculpture
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