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YouTube: time
2008
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2008
Time in Internet era is a flux of data, instead hands of a clock or sand in a hourglass, beat time is given by the number of informations that we receive and broadcast. Here’s how the characteristic red bar of YouTube becomes a piece of a “digital
Explosions in the Sky
2008
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2008
The video is a game between pressures: the atmospheric pressure, the artificial pressure and the digital com-pressure; the result are fragments, material, picture and sound units. The bottom and the top seems fighting but, in reality, this is their
Public Messages
2009
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2009
Typed sentences has been collected by people I met and I’m actually meeting in chat for two years. These sentences are not picked up from conversations but they’re written thoughts near the avatars, substantially they have the same function, they’re
Deepwater Horizon
2010
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2010
This work is the result of the overlapping of the most viewed worldwide YouTube videos since 20th of April 2010, day of the Deepwater Horizon drilling rig explosion, one of the biggest environmental disaster in recent years. I took these videos for
Feeding Consciousness
2023
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2023
Feeding Consciousness takes inspiration from the fabled tower of Babel, when a united and ambitious people having attempted to reach for the stars, were confounded by God, their previously common language made incoherent, forcing them to scatter
Cargo
2023
video
From the curatorial essay by Christina Oyawale and Karina Iskandarsjah: "In this age of instant information and global communication, a key component of the machinery that assembles our 'borderless' world is the global shipping industry. Every year,
Human Flesh Line
2013
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2014
Video-makers frequently use a tool called vectorscope to measure frames saturation and hue. The color balance of a film is based on a line technically called flesh line, where all the human tones arrange on. It’s is very interesting how, unlike
Rigid Waves
1992
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1993
video
In Rigid Waves, the acoustic mirroring of Narcissus and Echo is transformed into a visual form. Approaching the mirror, the viewer is confronted with a reflection that does not correspond to normal perception. Only an illusionary visual echo of
Interview Performing Data
2011
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2011
video
"PERFORMING DATA" INTERVIEW WITH MONIKA FLEISCHMANN & WOLFGANG STRAUSS, BY MICHAL CHACINSKI 2011 The interview (20:21) took place during the solo exhibition "Performing Data" by Monika Fleischmann & Wolfgang Strauss in the historic building of the
eCulture Factory
2005
-
2008
video
ECULTURE FACTORY 2005 A temporary Laboratory for Digital Culture and Interactive Media directed by Monika Fleischmann and Wolfgang Strauss, was funded by the EU, the Bremen Senate and Fraunhofer IAIS (May 2005 – May 2008). The objective was to
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