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...Two dancers/performers interact with an audio-visual environment. Their movement data control cameras, microphones, and architectural projections of 3D representations of each performance venue. Four scenes, made up of choreography and media, play on the theme of the...

...ransforms the internet traffic through KHM' homepage into sounds and images. The installation provides a spectacular experience of data traffic: a direct, real-time visualisation of the code being executed on the transmediale server. The code is displayed in waves...

... infinite microcosmic system. In Babel viewers logged onto the site are confronted with a 3D visualisation of an abstract data space mapped as arrays and grids of Dewey Decimal numbers. As they move the mouse around the screen they are able to navigate...

... improvised to a range of visual scores rather than notated ones. The sound/music created was then translated into visual data by live spectrograms.

... images, text, animations, voice and music triggered by a series of inputs. Visitors can then transverse the internet's data structure by selecting both the inputs and steering the visual flow of the information. In traditional browsers typing the word...

...Two dancers/performers interact with an audio-visual environment. Their movement data control cameras, microphones, and architectural projections of 3D representations of each performance venue. Four scenes, made up of choreography and media, play on the theme of the...

... becomes a way to get real-time images of the world state of mind. Mechanics of Emotions a series of works that uses such data from the web, builds dynamic maps of the world’s emotions e-Spotting (Emotion Spotting) Internet-Music performance, and now...

... Digital technologies permit them to establish a relationship between plants and sound. They display the effects of random data flow and plant interaction. The data is modified as the spectator meanders around and touches the installation, resulting in a...

... is not one's own, that babbles. It is composed with different digital techniques that include but are not limited to pure data programming, the use of field recordings and free improvisation with electroacoustic interfaces. It was produced by Wirtshaus...

... peoples faces. The faces are analyzed by sophisticated software (contributed by the Fraunhofer Institut). The obtained mood data are then stored on a server and processed by the smiley on the screen to visualize the emotions in real-time