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Occupy Wall Screens
2012
Streaming Museum, an international public art and online museum, will celebrate its fourth anniversary on January 31 with the US premiere of “Emotion Forecast” and “Occupy Wall Screens,” real-time artworks by the renowned French artist Maurice
On Broadway
2014
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2016
Interactive application and a public installation commissioned by New York Public Library for its exhibition "The Public Eye" How does a "data city" look like? We did not want to show the data in a conventional way using only graphs and numbers. We
On Location
2017
A hybrid form of landscape cinema capturing the year of an unnamed hollow way that forms the stream bed for several springs in a remote area of rural mid-Devon, Britain. Made in collaboration with the cinematographer and sound recordist Stuart
Optical Diffraction
2021
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2021
Video installation – diptych: Upper part: video projection: Bodyfraction 2020 (Uršula Berlot & Sunčana Kuljiš), Hyperoptics 2021 (Uršula Berlot); sound: Scanner – Robin Rimbaud Lower part: light image-object: laser-cut and digital print on
Ouija
2000
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2000
Ken Goldberg is one of the pioneers of telematic works, and "Ouija 2000" is not only a playful stab at the idea of global mind through the nostalgia of a Ouija board, it introduces important elements of real-time collaboration. "Ouija 2000"
parallel
2012
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2017
parallel uses Google Earth to track along the 49th parallel, that is, the western border between Canada and the United States. It's about a few other parallels: parallel countries, parallel modes of imaging and imagining, parallels between
People Quote People - The Death of the Author 2.0
2007
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2007
video
"The quotations no longer refer to the correct authors. On the mock website, quotations are continually reordered randomly with different authors, spreading online misquotations as a form of liberation from the fixation on authorship. This explores
Perceptive Dislocations
2012
"Perceptive Dislocations" was a performative event at the Goethe-Institute Island in Second Life. Cyberspace: The Final Frontier. Since 1994 with the advent of the World Wide Web, online virtual 3D worlds promised us endless freedom to be and do
Perhaps
1998
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1999
This is the first poem written specifically for Internet 2. The poem is a world with 24 avatars, each a different word. Each reader, in order to read the poem, must establish his or her own presence in this textworld through a verbal avatar. As
pinwheels
1999
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2000
The pinwheels project continues the study of Ambient Fixtures to communicate digital information at the periphery of human perception through ambient media. This project takes fields of pinwheels and explores what arrangements create interfaces that
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