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Red Streamlines
2003
The essential component of wavy flow is the vortex. In isolation, a single vortex simply influences its surroundings to orbit around itself at a speed proportional to the inverse square of the distance to the vortex's axis. When a large number of
Immaculate Collision
2014
... over-reliance on hyper-
real
istic rendering in favor of...
Wave For Hokusai
2010
This work is a tribute to the Japanese artist Katsushika Hokusai, whose woodblock print "The Great Wave off Kanagawa" (c. 1829-32) is not only one of the most-recognized pieces of Japanese art, but is also appreciated by turbulence researchers as an
Terrarium
2002
-
2002
... an immersive virtual
real
ity networked environment...
Iron Bird, In the Name of Kernel series
2006
-
2008
Fragments from The Impossible Flying Machine by ERASE C41: "My first sighting happened in 1967, on a trip from (A) to (B). It was a night flight and we had leveled off at our assigned altitude and were approximately 40 Km north of (A). We suddenly
Paralax Paradox, In the Name of Kernel series
2010
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2010
Wind controler deep manipulation. Low poly flowers swinging in wrong meadows.
The Dead | Taylor Mead - documentation
2015
-
2015
The Dead | Taylor Mead - documentationArtist: Alexander HahnComment:
The Beta Renders series
2011
-
2012
I agree : 1. To obtain or receive (something) on loan with the promise or understanding of returning it or its equivalent. 2. To adopt or use as one's own: I borrowed your polygon I am giving you back the fundamental transformation. 3. To take a
Blind Sequence Trust, Low Cry Prototype. In the Name of Kernel series
2012
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2012
... " floating copyright natural sound records over vibrating floresta ” ... Integral 23 minutes flythrough sequence across sinthetic floresta, showers of particles and flat alpha plane fires. Floating XYZ coordinates axis and eventual camera deep
How do you translate a text that is not a text? How do you perform a score that is not a score?
2013
video
During his month-long residency at Townhouse Gallery, Cairo, Warren Neidich made a series of graphic, abstract musical scores, called graphic scores, that used images instead of notes, based upon found newspaper clippings and bits of text. This
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