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The monumental perfume organ represents a meaningful analogy between musical and olfactory compositions. Its purpose is to demonstrate how, point by point, the scent becomes a kind of oflactif weapon which, with its made to measure smells,

The first video represents the Indian dancer and choreographer Keity Ajoure running and doing dance steps on a striped mosaic that looks like a series of borders. Opposite this, a hidden camera in the border zone of Zurich airport films businessmen

Artists who create interactive systems and artistic interface designs have begun to look for new display possibilities. For this reason façade’s of contemporary buildings have been largely investigated as a sort of membrane for the display of

The Value of Art are interactive paintings dealing with the economy of attention and value creation in the art world. When we look at prices of artworks at auctions, they often seem incomprehensible. Competing art collectors betting against each

The project “Magic Eye-Dissolving Borders” is based on the dichotomy between a positivistic participatory communication artwork and the awareness that communication per se can be superfluous and vain. “Magic Eye-Dissolving Borders” aims to challenge

This installation consists of two vintage Bakelite telephones from the 1950ies. They are placed in viewing distance to eachother. When visitors pick up their telephone receivers, dial a number and talk into their mouthpieces, their voices are

There is still time… Brother is rooted in the recording of a Wooster Group performance developed specifically to be viewed as a projection on a 360-degree screen. The video is revealed by way of a window that scans around the screen, never showing

The Custom Made project is a reflection on the superpower of nanotechnology, which is capable of manufacturing the universe to order with accuracy up to the very last nanoparticle. On the one hand, nanotechnology is an opportunity for us to

The Geo Quick Response project proposes to modify and question the representations of the geopark landscape, and also aims at making visitors aware of the more global problems raised by this landscape. By having visitors to interact with the work

IT'S TIME challenges one of the overarching question that pertains to the post-modern world: the acceleration of time induced by collective behaviors, and the level of frustration it induces on individuals. IT'S TIME aims at investigating several