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Murmurscape #1 (Montreal) (lower resolution excerpt)
2010
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2010
For his 2007 work Machine for Taking Time (boul. St-Laurent), David Rokeby recorded thousands of images of the city of Montreal from identical points of view every day for a year. In Murmurscape (Montreal), letter-shaped fragments excised from this
Murmurscape #2 (Montreal) (lower resolution excerpt)
2010
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2010
For my 2007 work Machine for Taking Time (boul. St-Laurent), I recorded thousands of images of the city of Montreal from identical points of view every day for a year. In Murmurscape (Montreal), letter-shaped fragments excised from this archive of
bug[lab]02
2006
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2006
The installation gathers a group of 10 robotic dogs in which some punctual and random bugs emerge (this is almost a pleonasm) in order to ironically illustrate the potential consequences of some functional problems in the system. It consists of
dog[lab]01
2004
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2004
... (ESB? Dolly’s clone?), meowing (research for the perfect pet
com
bining cat and dog?), strange skin, either clear like a jellyfish or...
Do robotic cats dream of electric fish?
2007
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2007
... for robotic pets. Blending into society, robots are now be
com
ing more and more life-like. And they are claiming to be acting as...
Double Helix Swing
2006
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2006
double helix swing is an installation which investigates the swarms of midges that can be found on the banks of lakes and other bodies of water. Swarms of midges are intriguing entities: without any apparent logic theyform at irregular intervals
on the nature of things
2009
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2009
video
com
prises five video projections which atmospherically depict and re-interpret our habitat. In the exhibition space five projections are set up...
Greenhouse Converter
2010
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2010
... which places an act of positive co-operation ahead of the
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petitive genetic model of natural selection. In the greenhouse...
fernfühler
2006
Fernfühler beleben den öffentlichen Raum und bringen Gestalt und Gestaltung in das Bewusstein der Öffentlichkeit. Fernfühler können auch spielen, da sie mit anderen Fernfühlern verbunden sind und diese (bzw. die Menschen, die auf ihnen sitzen) in
598
2009
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2009
In der Arbeit “598″ nehmen wir mit einer Software eine urtümliche Landschaft wahr, ohne unser Wissen oder unsere interpretatorischen Fähigkeiten zu benutzen. Wir wollen quasi vor unserem inneren Auge eine Art Landschaft des wahrgenommenen Bildes
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