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And That’s The Way It Is is a collaboration between the University of Texas’s public art program Landmarks and The Office for Creative Research from the spring of 2012. Drawing on transcripts from the Cronkite archives held by the Briscoe Center and

Beacon (2010) is an light sculpture created by media artist Ben Rubin; its animated shapes are based on the unique visual structure of the pages of the Talmud. It was commissioned by the National Museum of American Jewish History in Philadelphia,

Continuum is a mirror that "captures" anything that moves before it. Anything that does not move is not reflected but is lost in the inky blackness of the background of the screen image. Continuum is a "mirror" that "reflects" things as both a

Tower is an interactive literary art work where the computer listens to and anticipates what is to be said by those interacting with it. A self-learning system, as the inter-actor speaks the computer displays the next words, in the order of

'Crosstalk' is a new collaborative interactive performance work by visual artist Simon Biggs, composer Garth Paine, and dance artist Sue Hawksley. Software development by Hadi Mehrpouya. 'Crosstalk' is for two performers whose movement and speech

The landscape imagery in the photographs and videos of the Punishment series recall the paintings of the Romantic period: craggy mountains, deep gorges, the sea, and mountain lakes. These are large- format, classical motifs of nature, in which one

A yellow, two-meter-high siren slowly rotates around its own axis and produces a constant, penetrating, cyclical stream of sound that is modulated by the turning of the horn. Its powerful acoustic waves cause objects in the exhibition space to

Unusual, bright-colored birds were observed on the Piazza San Marco in the summer of 2012, and in Copenhagen in the same year similar birds were sighted, which largely maintained close proximity to pigeons. When looking at the birds more closely,

On a large white platform, the artist has arranged the typical Christmas scenario of his parents’ home: the family members, furniture and carpet from the living room, Christmas decorations, presents, and letters from family members. The annual

In a public exhibition space (Art Basel Unlimited), von Bismarck spent a week on a paraboloid-shaped cement disc, which rotated around its own axis at a speed of fifteen revolutions per minute. He slept, ate, read, and talked on the telephone while