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Styrofoam beads are blown around in a big transparent PVC cylinder by five strong fans. Visitors can take place on the armchair in the middle of the whirlpool or observe from the outside one at a time. On the chair, in the eye of the storm it is

... system what information it must supply the phone, as well as the identity of the user making the request. But the Russian artist delved deeply into the growing importance of these tools and the way they have influenced our behaviour and our relationships...

... and the state's presentation of such buildings as monuments, as state heritage, and so on. This project, as part of the Biennale, is a 'partial' celebration of this history, filled with doubts about the contemporary context of such power. ...

... The plumbing, electrical and other infrastructure was effectively left to die...until the Biennale planned its re-use as an art site. This artwork’s recovery of Tanglin’s electrical ‘body’ is a tentative mirror of the Biennale's recoup... the original...

... to wander and get lost in, like in a mutating city, to linger and surrender to the disorientation. Occasionally a video artist, musician, or even a mathematician is invited for a live intervention (Christophe de Boeck, Luis Recoder, Yukiko Shinosaki,...

A rope slowly curls around a chair, caressing it carefully. As the speed increases, the torsion builds up and the rope becomes a strangling snake approaching it's pray and eventually the chair is violently tossed around. Although a computer

...In an arena of about 6m by 10m the artist puts a number of spinning tops in motion. He attempts to drive them as a kind of flock or lets them interact as a kind of self-sustaining system. They move in unpredictable ways, sometimes careful and hesitating, sometimes...

2 conveyor belts of about 13m long are set up next to each other and running in opposite directions. People can lay down on them to be transported very slowly. Hidden under the surface an invisible mechanism produces a subtle yet intense tactile

A matrix of sixty-four tubes is spread out equally over the room. These tubes bend over extremely slowly as if a slow motion wind were touching them. Leaning into one another they reach out to the visitors like the tentacles of a giant snail. The

...COLAB Art and Architecture, Bangalore Two-person show with Christoph Schäfer, who lives and works in Hamburg, Germany. Not long ago, architectural modernism presented the glass facade as equivalent to participation and empathy with the surroundings...democracy!...