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#1 Vortex #2 Torus #3 Skyrmion Lattice #4 Skyrmion Collapse #5 Cross (B=16 Skyrmion) #6 Spiral (cross-section of horizontal vortex) kinetic light objects (series of 6) plexiglass, LED reflectors, turntables variable dimensions, diameter: 60 cm,

Kombucha SCOBY (a symbiotic culture of bacteria and yeast) is an incredible creature. There are many different myths and legends about this. Even one concerns its extraterrestrial origin. Kombucha is also unique in that it cannot be accurately

“I'm sorry I made you feel that way” is an interactive experience and performative self-portrait exploring new possibilities for empathy and care for our hybrid selves. Martina Menegon’s biometric data collected daily via a wearable smart ring

“It suits me well" is a video installation, a recording of a private performative act. After being digitized via Photogrammetry, the artist’s body UV map (the image of the skin and body details that wraps around the virtual model of the body) has

“untouched” is a series of self-portraits created through 3D scanning and presented as unaltered online virtual and Augmented Reality sculptures. Motionless yet constantly interacting and performing in-between realities, the virtual fragmented

The totem consists of a clock mechanism, a monitor, and hidden video camera. It is a symbolic representation or embodiment of the concept of time and serves as a reminder of its flow, the impermanence of life or the cyclical nature of existence.

CATHERINE B. FISHER - ARTWORKS 2016-2019Artist: Catherine B FisherComment:

Catherine B. Fisher 'Crossroads' 2021 Postdigital artwork 25.4 x 25.4cmArtist: Catherine B FisherComment:

'Divination: A Romantic Mutiny in a Maelstrom of Data' by Nancy Mauro-Flude. Produced by Contemporary Art Tasmania. The maiden voyage performance of Pyrate Queen and her crew, set sail for the duration of Dark Mofo 10–19 June 2016. Toured in 2017

This interactive real-time artwork comments on the volatility of the stock market and the ephemeral nature of wealth, through an exploration of the intersection of technology, finance and mythology. Harris employs live market data, organising