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“Kryophone“ is a sonorous and luminous interactive sculpture made of ice. This interactive sculpture is composed with ice and reacts to the electrostatic touch of bodies. Sounds and light evolve according to the intensity of electrostatic contact.

GARDEN CONCEPT In the context of the Regional STARTS Centers in Greece, the non-profit platform for social innovation projects MADE GROUP, with the support of the Athens Tech College and the Cultural Association of Archilochus of Paros, sets the

... open-packed zoomorphics enclosed in a...

Electronic Visual Music Work TRT: 1:53 Anonymous Real-time : Igor Amokian LIVE @ LA CITA June 7, 2016 LA CA. Directed and Animated by Victor Acevedo Music by Igor Amokian (Chris Holland) video © 2017 Victor Acevedo music © 2016 Chris Holland Victor:

The swimmer is performing movements which can be seen as completely natural, yet they contain a vital contradiction, a double meaning: swimming as a way of surviving. At the same time as the swimmer is having a pleasurable experience of the element

Portrait on the Fly - Digital Prints Portrait Series © 2015, Laurent MIGNONNEAU & Christa Sommerer A single photography of a real fly is used as printed dots to represent the portrait of media artists, writers and curators we encountered physically

"In the white darkness“ is an interactive internet-art-piece about memory. The work was created by Reiner Strasser in collaboration with M.D. Coverley (Marjorie Coverley Luesebrink) over a period of 9 months in 2003/04. It assimilates and reflects

E[Y]GG[E] is an interactive Net Art / E-Poetry piece created in Flash in the year 2000. It is a meditation about time and space on the Net and elsewhere. Exhibited i.e.: AJAC 2000 Art Show, Metropolitan Art Museum Tokyo, Japan, 2000; Faculty

The exhibition proposes to “listen” trees of Babyn Yar, feel the metaphor of Tree as a Capsule of Time, which conveys knowledge from the Past (the ground) to the alive limbs of the Future. The Babyn Yar trees were growing all this time as silent

Carl Theodor Dreyer's 1928 'La Passion de Jeanne d'Arc' is arguably one of the finest films in the history of film, and Renée Jeanne Falconetti, primarily known as a stage performer in light opera, provides it with one of cinema's most harrowing