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GLITCHES_DIARIES of PURE_DESKTOP
2011
-
2017
GLITCHES_DIARIES of PURE_DESKTOP The installation explore the visual representation of data: I was capturing screenshots of my desktop´s activities during 6 months. The obtained images were manipulated with algorithms and recaptured in order to
CAPITAL -> Case: Files deleted
1999
-
2017
video
Marcello Mercado CAPITAL -> Case: Files deleted (Das Kapital -> Fall Dateien gelöscht), 1-channel video installation, 03 min. 05 sec., stereo 4:3 colour, 1999 http://vimeo.com/73331069
Human Genome re-Activation
2011
-
2011
video
keywords: bioart, genome, finger, soundart, genetics, synthetic voice, DNA – Sequence alignment, chromosome 1, DNA, Nucleotides, adenine (A), cytosine (C), guanine (G), thymine (T), DNA-Bases Description: Human Genome re-Activation on-line live
Haptic Field
2016
video
... shifting back and
fort
h, like an immense haptic field...
Sleeper
2017
-
2017
The core element of the “Sleeper” installation is a tapestry. Le Corbusier referred to it as a “portable form of mural”. During the Middle Ages and Renaissance these handwoven wall-hangings, in which the interweaving of threads forms not only the
make-A-move - version2
2015
-
2015
"make-A-move" is a site-specific, responsive, screen-based installation involving two encased flat screens, digital animation, software design, and physical interaction. Two automated portraits - a female and a male subject photographed by the
AL GRANO: Augmented-Cereals
2013
-
2013
video
... labeling of
foods
tu s (and because breakfast...
Al GRANO: Augmented-Cereals” Version 2
2016
-
2016
... labeling of
foods
tu s (and because breakfast...
Where are you from?-Stories. Version 09
2009
-
2009
Where are you from?_Stories / Version 09 Date: 2009 Materials: interactive media installation. Measurements: variable (black box) Other information: Group exhibition held at: Espacio Fundación Telefónica, Buenos Aires, Argentina, July 8th –
Home Transfer
1999
-
2000
HOME TRANSFER looks at the relationship between home, architecture and new technologies. The interactive and participatory ‘net-art’ work unfolds via a menu composed of three 'chapters': Guest, Host, and Parasite. The work explores changing notions
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